Live-Action and Shows
Projects where I contributed as digital compositor — from shows and movies to short films. My role involved clean-up, keying, projection-based comp, and integration of CG elements, always with a focus on detail, realism, and consistency.
La Agencia
(The Good Mood Production – 2025)
TV Series – Episode 1
I worked as a digital compositor on several key shots for the premiere episode of La Agencia, a Spanish scripted series. My responsibilities included:
Crew removal from glass reflections and vehicle windows.
Set clean-up using projection techniques, especially in shots with heavy parallax.
Logo replacement on moving objects with motion blur.
Maintaining continuity across sequences and versions.
These shots required precision, technical flexibility, and a creative approach to integrate clean, believable environments without disrupting the original cinematography.
Skyland: Project 0
(One Shot Oddysey – 2024)
Sci-fi Short Film
In this independent sci-fi project, I was responsible for a variety of complex VFX tasks across multiple action-heavy shots, including:
Green screen keying and integration of actors into CG environments
3D projection-based clean-up for set extensions and head removal FX
Screen replacements with tracking and distortion matching
Muzzle flashes and other practical FX enhancements
Seamless compositing of CG elements into live-action plates
The project pushed both my technical and creative skills, especially when dealing with stylized sci-fi visuals and tight narrative timing.
Control Room
(Orca Studios – 2024)
Digital Compositor Internship
As a Junior Compositor at Orca Studios, I contributed to the project Control Room. My responsibilities included:
Roto, clean-up, keying and CG integration into real footage
2D and 3D tracking for accurate element placement
Working within an ACES color pipeline with grain and LUT management
QC´s and shot feedback using ftrack
Hands-on experience with render farm submissions and virtual machines.
This project gave me real-world experience in a high-end production environment, blending technical workflows with collaborative team dynamics.
Vale la Pena
(Netflix - 2025)
Netflix Comedy Special - Dani Rovira
I worked on a Netflix stand-up comedy show featuring Spanish comedian Dani Rovira as Digital Compositor, focusing on enhancing the lighting setup.
Add digital spotlights in the theater environment, matching the on-stage stage lighting and atmosphere.
Masking and rotoscoping of Dani Rovira across 21 shots, ensuring clean separations and accurate integration.
One of the biggest challenges was maintaining lighting continuity, as the original spotlight intensity varied significantly between shots. I carefully adjusted the added lights to match these changes, frame by frame, while keeping a natural and consistent look throughout the sequence.
Ads and Commercials
A selection of VFX commercial projects I’ve worked on as a Digital Compositor. Each shot reflects both creative decision-making and technical precision.
Compositing in Takis Blue Heat Commercial
For the Takis Blue Heat commercial, I was responsible for complex clean-up and roto tasks, focusing on removing stickers and unwanted elements from high-energy shots. To optimize the process, I trained and deployed a custom CopyCat model, which significantly reduced manual work and allowed for faster, more consistent results across multiple frames. I then refined the outputs, integrated FX passes, and ensured seamless compositing ready for final delivery.
Iberdrola Solar Panels Campaign
Photorealistic Print Ad Retouching
I was in charge of photo-retouching a series of AI-generated images for Iberdrola’s new solar panel campaign. My task was to modify and accurately match the solar panels to real-world specifications, ensuring technical and visual accuracy. This required a hybrid workflow using Photoshop for detailed image adjustments and Nuke for structural corrections and precise compositing.
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BBVA Campaign - Beauties
Broadcast & Outdoor Advertising
I worked on a series of high-resolution eye close-up shots for BBVA’s national ad campaign. My task was to perform detailed beauty work: skin retouching, color balancing, and subtle cleanup, ensuring every frame looked polished and cinematic. These shots were projected on large outdoor screens across Madrid as part of the brand’s visual identity push.
Comp in 2D Animation
2D Animation & AI-Powered Style Transfer
Çilencio
(Califato ¾ (2024)
Music Video — Anime Style over Live Action
For this stylized music video, we shot live-action plates and applied a fully custom anime look using AI. My responsibilities included:
Keying all characters from the original footage
Compositing and integrating every shot with stylized layers and FX
Ensuring visual consistency and matching across the entire video
The project was a creative blend of AI, compositing, and storytelling, and challenged me to work in a mixed-media pipeline combining deep learning and traditional comp techniques.
